“Art is alive, always becoming, never still. My only way is to make it honest for this moment — Tomorrow will unfold as it must.”
THE PRACTICE
My practice is grounded in abstraction and focuses on the relationship between material, surface, and spatial structure. My works operate between painting and relief, emphasizing the physical presence of the artwork and its interaction with the surrounding space.
MATERIAL & PROCESS
I work primarily with acrylic on canvas, incorporating paper rope and other materials through pouring, layering, and constructive processes. These techniques allow the surface to develop through both controlled decisions and material behavior.
Rather than serving decorative purposes, materials function as active compositional tools that define depth, edge, and visual weight. Pouring methods introduce fluidity and chance, while the integration of paper rope and textured elements establishes rhythm, tension, and structural continuity across the composition.
VISUAL LANGUAGE
My visual language is characterized by restraint, repetition, and calibrated gestures. Lines, planes, and surface interruptions are treated as structural elements, carefully positioned to explore balance and spatial order. The paintings avoid narrative or representational references, focusing instead on how minimal formal shifts—such as proportion, density, or surface modulation—can significantly alter perception.
CONTEXT & INFLUENCE
Living between different cultural and spatial contexts has shaped my approach to composition. Growing up in Ljubljana and later relocating to Warsaw has heightened my sensitivity to architectural rhythm, scale, and spatial discipline. This dialogue between environments informs the measured tempo and material clarity of my work.
BRING HOME INSPIRATION FOR YOUR JOURNEY
“Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure”